SEEING ACROSS CULTURES IN THE EARLY MODERN WORLD

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Seeing Across Cultures In The Early Modern World

Author : Dana Leibsohn
ISBN : 1409411893
Genre : Art
File Size : 30.82 MB
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What were the possibilities and limits of vision in the early modern world? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures shows how distinctive ways of habituating the eyes in the early modern period had profound implications-in the realm of politics, daily practice and the imaginary. Beyond their interest in visual culture, the essays here expand our understanding of transcultural encounters and the history of vision.
Category: Art

Seeing Across Cultures In The Early Modern World

Author : JeanetteFavrot Peterson
ISBN : 1315088185
Genre : Electronic books
File Size : 67.99 MB
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"What were the possibilities and limits of vision in the early modern world? How did political expansion, cross-cultural trade, scientific exploration and discrete religious practices require new ways of rendering the unknown visible, and of making what was seen knowable? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures argues that distinctive ways of habituating the eyes in the early modern period had epistemic consequences: in the realm of politics, daily practice and the imaginary. The essays here consider prints and panoramas, sculpted works of stone and corn pith cane - and their physical presence in the lived world - calling attention to the materiality and sensuality of visual experience. Anchored in writings on art history and visual culture, Seeing Across Cultures also engages histories of transcultural encounters and vision."--Provided by publisher.
Category: Electronic books

Reading Green In Early Modern England

Author : Leah Knight
ISBN : 9781317071228
Genre : Literary Criticism
File Size : 30.83 MB
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Green in early modern England did not mean what it does today; but what did it mean? Unveiling various versions and interpretations of green, this book offers a cultural history of a color that illuminates the distinctive valences greenness possessed in early modern culture. While treating green as a panacea for anything from sore eyes to sick minds, early moderns also perceived verdure as responsive to their verse, sympathetic to their sufferings, and endowed with surprising powers of animation. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. The first two chapters consider the value placed on two ways of taking green into early modern bodies and minds-by seeing it and breathing it in-while the next two address the manipulation of greenery by Orphic poets and medicinal herbalists as well as grafters and graffiti artists. A final chapter suggests that early modern modes of treating green wounds might point toward a new kind of intertextual ecology of reading and writing. Reading Green in Early Modern England mines many pages from the period - not literally but tropically, metaphorically green - that cultivate a variety of unexpected meanings of green and the atmosphere and powers it exuded in the early modern world.
Category: Literary Criticism

Collecting Across Cultures

Author : Daniela Bleichmar
ISBN : 9780812204964
Genre : History
File Size : 77.98 MB
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In the early modern age more people traveled farther than at any earlier time in human history. Many returned home with stories of distant lands and at least some of the objects they collected during their journeys. And those who did not travel eagerly acquired wondrous materials that arrived from faraway places. Objects traveled various routes—personal, imperial, missionary, or trade—and moved not only across space but also across cultures. Histories of the early modern global culture of collecting have focused for the most part on European Wunderkammern, or "cabinets of curiosities." But the passion for acquiring unfamiliar items rippled across many lands. The court in Java marveled at, collected, and displayed myriad goods brought through its halls. African princes traded captured members of other African groups so they could get the newest kinds of cloth produced in Europe. Native Americans sought colored glass beads made in Europe, often trading them to other indigenous groups. Items changed hands and crossed cultural boundaries frequently, often gaining new and valuable meanings in the process. An object that might have seemed mundane in some cultures could become a target of veneration in another. The fourteen essays in Collecting Across Cultures represent work by an international group of historians, art historians, and historians of science. Each author explores a specific aspect of the cross-cultural history of collecting and display from the dawn of the sixteenth century to the early decades of the nineteenth century. As the essays attest, an examination of early modern collecting in cross-cultural contexts sheds light on the creative and complicated ways in which objects in collections served to create knowledge—some factual, some fictional—about distant peoples in an increasingly transnational world.
Category: History

Living Dangerously

Author : Barbara Hanawalt
ISBN : 0268030820
Genre : History
File Size : 24.93 MB
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The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. "Living Dangerously: On the Margins in Medieval and Early Modern Europe is an engrossing, learned collection of articles by recognized historians and literary scholars. Drawing on legal, archival, and literary evidence, they introduce us to real characters--in both senses--who transgressed boundaries and norms. Whether the lines crossed are social, financial, sexual, or spiritual, we learn that those on the margins are central to our understanding of these eras." --Marjorie Curry Woods, The University of Texas at Austin "The essays in this volume take the reader on an intellectual voyage of adventure across space and time in pre-modern Europe, stopping off in Germany, the Low Countries, England, Spain, and France. They lucidly explore those messy, contradictory, and fascinating realms of life and thought (marriage, theology, commerce, gender, sexuality, law) where transgression and convention intersect. Thought-provoking. A must-read." --Ann Marie Rasmussen, Duke University "This collection breaks new ground in its attention to the marginalized and rascalous members of medieval and renaissance society. First, it rightly treats as permeable the artificial boundary between 'medieval' and 'renaissance' cultures, seeing them synoptically rather than independently. Second, it boldly incorporates as contiguous both European and New World cultures, seeing them as related rather than discontinuous. These interdisciplinary essays are first rate." --Daniel T. Kline, University of Alaska Anchorage
Category: History

Vermeer And The Invention Of Seeing

Author : Bryan Jay Wolf
ISBN : 0226905047
Genre : Art
File Size : 37.51 MB
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This book begins with a single premise: that Vermeer painted images not only of extraordinary beauty, but of extraordinary strangeness. To understand that strangeness, Bryan Jay Wolf turns to the history of early modernism and to ways of seeing that first developed in the seventeenth century. In a series of provocative readings, Wolf presents Vermeer in bracing new ways, arguing for the painter's immersion in—rather than withdrawal from—the intellectual concerns of his day. The result is a Vermeer we have not seen before: a painter whose serene spaces and calm subjects incorporate within themselves, however obliquely, the world's troubles. Vermeer abandons what his predecessors had labored so carefully to achieve: legible spaces, a world of moral clarity defined by the pressure of a hand against a table, or the scatter of light across a bare wall. Instead Vermeer complicated Dutch domestic art and invented what has puzzled and captivated his admirers ever since: the odd daubs of white pigment, scattered across the plane of the canvas; patches of blurred surface, contradicting the painting's illusionism without explanation; and the querulous silence that endows his women with secrets they dare not reveal. This beautifully illustrated book situates Vermeer in relation to his predecessors and contemporaries, and it demonstrates how powerfully he wrestled with questions of gender, class, and representation. By rethinking Vermeer's achievement in relation to the early modern world that gave him birth, Wolf takes northern Renaissance and early modern studies in new directions.
Category: Art

Forbidden Bodily Knowledge Transformative Bodily Violence In Early Modern And Postmodern Entertainment

Author : Rebecca L. Willoughby
ISBN : 1124456856
Genre :
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Representational violence in early modern and post-modern entertainment--especially extreme, excessive representations such as torture, dismemberment and cannibalism--provide a space in dramatic narrative for audiences to not only explore the interior of the body, with which they are generally unfamiliar, but to also explore alternative ways of seeing violence. Seeing those acts in entertainment removes the danger from them, and allows active audience engagement with the motivations behind violent acts, facilitating a dialogue about violence that can perhaps serve to limit its presence in the real world. By pairing some intensely violent early modern texts including George Chapman's Bussy D'Ambois, John Ford's Tis Pity She's a Whore, and William Shakespeare's Titus Andronicus with ultraviolent postmodern horror films like the Saw cycle, Eli Roth's Hostel and Hostel Part II, and Alexander Aja's The Hills Have Eyes, I hope to show that the depiction of specific types of extreme violence holds on a continuum throughout various historical periods. The ways in which characters in these texts from across cultures and across historical periods navigate the worlds wherein they find themselves--worlds which seem to proscribe violence as a healing tool, but whose promises are never actually fulfilled--can inform us that there are other ways to heal the pain of loss.
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On The Lips Of Others

Author : Patrick Thomas Hajovsky
ISBN : WISC:89124276049
Genre : Art
File Size : 37.50 MB
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An interdisciplinary study investigating how the name and portrait of Moteuczoma (a.k.a. Moctezuma/Montezuma) II were represented in Aztec monuments and colonial manuscripts and how the concept of fame operated in the Aztec world.
Category: Art

Visualizing Guadalupe

Author : Jeannette Favrot Peterson
ISBN : 0292737750
Genre : Art
File Size : 89.31 MB
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The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe’s earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe’s images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies.
Category: Art

A Companion To American Art

Author : John Davis
ISBN : 9781118542491
Genre : Art
File Size : 74.7 MB
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A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Category: Art